In his sculpture, installation, film work and writing, Martin Sexton attempts to create a poetical experience that does not exist in reality. His practice takes the form of a sculptural poem, an invocation or play; exploring concepts of time and the vicissitude of love. Sexton embeds his work within our culture, collapsing existing narratives into a new experience, drama or mythos. Absorbing, challenging and transforming the world around him; he is at odds with the current precept that it is impossible to produce anything original or authentic.